Harrison Bergeron said:
bear2be2 said:
Harrison Bergeron said:
bear2be2 said:
Swamp said:
This is a pretty good example of the co-opting I'm referring to in the post above.
This song is called "I want to go home," and it's not new. He released the original track in April.
This is a re-recording with better equipment of a song that has existed with its actual name for months. To throw this out with an alternative title and essentially steal OA's views on Twitter is really dishonest IMO.
Honestly confused ... how do you get from the comment releases "new 'Brink of War' song" to "co-opting?" When you use that word, what do you mean? Is it possible you mean "celebrate?"
Because "Brink of War" would suggest the song is an anti-war protest song, which it is not. Many on the right would like it to be based on their current position on Russia and Ukraine, but the song -- like most of OA's -- is about living in a world he doesn't quite recognize and doesn't particularly want to embrace. It mentions being on the brink of war once, and that is not a major theme.
Mistitling it to suggest otherwise -- and this wasn't an accident because a bunch of prominent right-wing Twitter users did it at the same time -- is just another example of trying to force OA's message to fit one's own agenda. It's happened a ton on both sides, and it does a disservice to the actual message in OA's music, videos and interviews, which is one of unity and against political division.
Thanks - I
missed the obvious title change issue, so my bad. What you described above sounds a lot like many MAGA folks.
There's a lot more in the song (i.e. the whole song) to appeal to conservatives than just a hi-jacked title....... B2Be captured it well there, in bold. At least a plurality of the country feels that way, and the sentiment is growing.
OA's work is essentially about the bewilderment of ordinary people lamenting the demise of a good culture, watching a constructive order that has served them well crumble under the combined weight of progressive assault and conservative neglect. OA is hardly alone in his critique, just more articulate, and perhaps most of all, timely. In less than a generation, most of what several generations were taught was good has somehow been morphed by pseudo-intellectuals into oppression. Worse, those north of Richmond, whom the middle class expected to stand up for them, ignored it all to pass the policies which have not benefited anyone much beyond the donor class. and now, middle class discontent about cancel culture is turning to outright fear as they watch political elites so casually abuse power to coerce thought and action, to include alleging sedition to suppress inconvenient narratives.
So whether OA wants his music to be political or not....it is.
OA can pretend to be centrist if he wishes, but his messaging has resonance that is clearly not identifiable with progressive sensibilities. It is the anthem of the disaffected.