NoBSU said:
I am wondering if binge - watching has changed how I rank things.
After years of reading about The Wire on message boards, I decided to binge watch the entire series in two weeks. I found it good but not great as a whole. Parts were great, but the Longshoreman part was really dragging. The final outcome of the last season group if kids was pretty predictable. I think that awaiting each weekly show and each season would have improved my overall view.
I dropped off from Breaking Bad the final three seasons and binge watched them. They held up better for binge watching I think. I binge watched the last three of the Sopranos as well. Not as good as Breaking Bad but better than The Wire. I thought the Sopranos ending was the worst.
I completely agree that the year with the longshoreman was the weak link in the series -- well bellow the rest. I also think that The Wire gets better upon reflection about the totality of the series: the fairly holistic way it depicts how a lot of these problems are interconnected; how City Hall politics affects policing, etc. The series gave you a much richer and truer portrait of the criminals in the drug trade than TV provided before. You meet people who are poorly educated but really smart. You see how people get drawn into that life because of the environment over which they have little control. You see how the police try to deal with that. And you meet some really well-drawn characters like Stringer Bell and the detective who makes dollhouse furniture.
I thought the Sopranos declined in its last couple of seasons but was still better than just about anything else at the time. It never quite matched its first couple of seasons, and that wasn't true of Breaking Bad, which maintained a consistently high level throughout. One of the things I thought was incredible was the way the series shows you how Walt and Jesse get in deeper and deeper, rather by accident, and how the consequences of their actions get more severe. Initially, some of the episodes are almost comical, as when they first go to Tuco (a superb character), offer to furnish him with product and wind up blowing up his office. Or the episode when Jesse gets held by the meth-heads who stole the ATM; he can see the consequences of what he does for a living in the lives of others, but the stakes haven't become personal yet. Part of the brilliance of the show, I think, is how the tragedy unspools in slow motion in the lives of these characters.